2021 Works
“Mixed”
Finch Lane Gallery October-November 2021
Collage, Linocut, and Pencil on Wood Panel
Ashley
Collage, Linocut, and Pencil on Wood Panel 34 x 48 in
Sage
Collage, Linocut, and Pencil on Wood Panel 48 x 60 in
Liam
Collage, Linocut, and Pencil on Wood Panel 48 x 48 in
Lexie
Collage, Linocut, and Pencil on Wood Panel 35 x 46 in
Jake
Collage, Linocut, and Pencil on Wood Panel 48 x 60 in
Untitled
Collage, Linocut, and Pencil on Wood Panel 20 x 22 in
Untitled
Collage, Linocut, and Pencil on Wood Panel 20 x 22 in
Untitled
Collage, Linocut, and Pencil on Wood Panel 20 x 22 in
Untitled
Collage, Linocut, and Pencil on Four Wood Panel
46 x 23 in (total), 11.5 x 11.5 in (each)
Would you swim in an integrated pool?
Linocut 15x22
All Alike?
Collage, Colored Pencil, Ink, and Graphite on Wood Panel 36x10x2
Untitled
Collage, Ink, Graphite Triptych 7.5x10 (each)
“No Mixing.”
BF Larsen Gallery February 2021
Mixed Media on Intaglio Prints 15 x 22
No. 1: No Mixing. (The purposeful (& not accidental) racial hierarchy that is segregation.)
No. 2: The Foreboding Prospect of Mixing. (“The South doesn’t care how close a Negro gets, just so he doesn’t get too high. The North doesn’t care how high he gets just so he doesn’t get too close.”)
No. 3: Then the White Man screamed, “No Mixing.”
No. 4: A Happy Post-Racial Era of Mixing. (Mixed bodies blurring the racial hierarchy that is segregation.)
No. 5: Mixing Bodies not Homes. (Using mixed bodies to evince a post-racial era despite the purposeful (& not accidental) mono-racial hierarchy that is segregation.)
No. 6: Mixing, not Matching. (Social acceptance, depending on how approachable and white someone’s phenotype and culture is—in a post-racial era.)
No. 7: A post-racial era White Man whispers, “No mixing.”
No. 8: Not-Racist White People Who Happen to not be Mixing in a Post-Racial Era.
No. 9: Humanizing Mixing. (An unrealized post-racial era landscape.)
No. 10: No Mixing. (The purposeful (& not accidental) racial hierarchy that is segregation.)